| Listening to Music: An Introduction to the Western Classical Tradition | MUS 101 | Fall |
| Introduction to Music Theory | MUS 102 | Fall |
| Music Theory and Musicianship I | MUS 103 | Fall |
| Music Theory and Musicianship I | MUS 104 | Spring |
| Music Cultures of the World | MUS 111 | Spring or Fall |
| Musics of Asia (D) | MUS 112 | Spring or Fall |
| American Music | MUS 115 | Spring or Fall |
| African-American Music (Same as Africana Studies 122) (D) | MUS 117 | Spring or Fall |
| Popular Music: Revolutions in the History of Rock | MUS 119 | Spring or Fall |
| Cuban Popular Music and Culture (D) | MUS 126 | Spring or Fall |
| Riots, Recycling, Rows, and Repetition: Introduction to Twentieth-Century Music | MUS 138 | Fall |
| Opera | MUS 141 | Spring |
| Symphony | MUS 145 | Spring or Fall |
| The Concerto | MUS 146 | Spring or Fall |
| Chamber Music | MUS 147 | Spring or Fall |
| The Language of Film | MUS 149 | Spring |
| History of Jazz (Same as Africana Studies 130) | MUS 151 | Spring or Fall |
| John Coltrane and the Revolutionary Tradition in African American Music (Same as AFR 155 and AMST 155) (D) | MUS 155 | Fall |
| Thirteen Ways of Looking at Jazz (Same as AFR 156, AMST 156, COMP 156, and ENGL 223) (W) (D) | MUS 156 | Spring |
| Sibyl of the Rhine: The Life and Times of Hildegard of Bingen | MUS 161 | Spring or Fall |
| Bach | MUS 163 | Spring or Fall |
| Bach and Handel: Their Music in High Baroque Culture | MUS 164 | Spring |
| Mozart | MUS 165 | Spring or Fall |
| Beethoven | MUS 166 | Spring or Fall |
| Myth in Music (Same as Comparative Literature 134) (W) | MUS 172 | Spring or Fall |
| Storytelling in Music | MUS 173 | Spring or Fall |
| The Singing Voice: Mechanics, History, and Meaning | MUS 174 | Spring |
| Music Theory and Musicianship II | MUS 201 | Fall |
| Music Theory and Musicianship II | MUS 202 | Spring |
| Jazz Theory and Improvisation I (Same as Africana Studies 212) | MUS 203 | Spring or Fall |
