The Williams College Department of Music presents the Berkshire Symphony in concert on Friday, Nov. 20, at 8 p.m. in Chapin Hall on the Williams College campus. There is a pre-concert talk with conductor Ronald Feldman at 7:15 p.m. in Brooks-Rogers Recital Hall, adjacent to the main venue.
The Berkshire Symphony presents Roy Harris, Symphony No. 3; Johannes Brahms, Symphony No. 3; and the Mendelssohn Violin Concerto featuring soloist Mark Peskanov.
About Mark Peskanov
American virtuoso violinist and artistic visionary Mark Peskanov was born in Odessa. Peskanov sang before he could walk or talk, and soon became a star violin student at the famed Stolyarsky school. At fifteen, he emigrated to the United States, where he was immediately accepted at the Aspen Music Festival and the Juilliard School.
His phenomenal facility and musicianship won him both the Aspen and Juilliard concerto competitions, bringing him to the notice of Isaac Stern and Mstislav Rostropovich and rocketing him into the top echelons of the music world. Upon his debut with the Chicago Symphony, the Chicago Tribune called him a “sensational soloist.” The Cleveland Plain Dealer proclaimed, “Violinist Adds Glory to Odessa” and the New York Times declared, “Mark Peskanov is a tremendous young violinist and his Friday evening concert at Carnegie Hall was a triumph…He has it all—technique, temperament, and taste.”
Peskanov is a staunch champion of American composers. He premiered the John Williams Concerto with the St. Louis Symphony, and the Stanley Wolfe Concerto (written for Peskanov) with the New York Philharmonic. He has performed more than fifty concertos with virtually every major U.S. orchestra and in Europe, the Middle East, Australia, South America and Japan. Peskanov’s major accolades include the Avery Fischer Career Grant, the first Frederick R. Mann Award, and Carnegie Hall’s first Isaac Stern Award.
Peskanov inaugurated Tokyo’s Suntory Hall with Yo-Yo Ma and Stern, and Weill Recital Hall with Stern, Midori and Gil Shaham. Collaborating with these colleagues prompted Peskanov to turn intensively to the chamber music repertoire’s more intimate, complex, and dialogical possibilities. His delight in chamber music, his independent artistic vision, and his desire to mentor promising musicians as he had been mentored, led to Peskanov’s present role. Since 2005, he is president and artistic/executive director of Bargemusic, New York City’s floating concert hall, moored at the Fulton Ferry Landing under the Brooklyn Bridge. Peskanov has curated over 3,000 chamber concerts at Bargemusic, encompassing a vast range of genres and styles, presenting over 200 concerts annually to New York audiences. Under his leadership Bargemusic continues to evolve as an innovative, influential, and integral component of New York City’s cultural world.
Peskanov is known for his openness to an astonishing range of music and artists at all stages of their careers. Muses the New York Times, “One reason that openness seems to come so easily to Mr. Peskanov is that few proposals crossing his desk are likely to outpace his own vision of what Bargemusic can be.”